Abstract
In 1734-35 Vasyl Hryhorovych-Barsky, a monk from Kyiv, crossed Cyprus on foot and recorded what he saw in three ways: a journal for distant readers, architectural drawings as eyewitness testimony, and inscriptions on church walls addressed to whoever would later stand before them. Each medium spoke to a different audience, yet together they form a single act of communication. Digitisation tends to separate them: drawings are scanned, texts transcribed and inscriptions photographed, each in its own repository.
This session asks what is lost when we digitise media but not the relationships between them. Drawing on the BARSKY ROUTES project (2026-2028), it shows how structured data and image annotation can reconnect narrative and visual sources, with a short demonstration in Adno. The second half of the session is an open discussion on what a complete digital record of heritage should contain.
Biography
Mia Gaia Trentin is an archaeologist and historian specialising in historic graffiti and digital heritage in the Eastern Mediterranean. She is Project Manager and Researcher at Citizens in Power, Cyprus, and Principal Investigator and scientific lead of BARSKY ROUTES (2026-2028), funded by the Research and Innovation Foundation of Cyprus. She is also a research affiliate of the Institute for Medieval Studies at NOVA FCSH, Lisbon. She holds a PhD in European Social History from Ca’ Foscari University of Venice and a Diploma in Palaeography, Diplomatics and Archival Studies from the State Archive of Venice. After postdoctoral positions at the University of Illinois (NCSA) and The Cyprus Institute, she led the RIF-funded projects GRAFMEDIA and DIGIGRAF. Through them she developed the first CIDOC CRM ontology and the first open-access repository for historic graffiti, combining multispectral imaging, RTI, photogrammetry and 3D documentation. More recently she worked on the Horizon Europe project HERITALISE at the Digital Heritage Research Lab, Cyprus University of Technology. She has published critical editions of eighteenth-century parish registers from Larnaca and published on various aspects of historic graffiti.
Publications by Mia Gaia Trentin
- Between written and visual communication: CIDOC CRM ontology for medieval and early modern European graffiti. Mia Gaia Trentin and Achille Felicetti. Journal on Computing and Cultural Heritage (ACM), 2023. DOI: 10.1145/3589230.
- Medieval and Modern Graffiti: multicultural and multimodal communication in Cyprus. Mia Gaia Trentin. Cahier du Centre d’Études Chypriotes 50, 2021, pp. 277-304. DOI: 10.4000/cchyp.516.
- Historic Graffiti as a Visual Medium for the Sustainable Development of the Underground Built Heritage. Mia Gaia Trentin, Doron Altaratz, Moshe Caine, Amit Re’em, Andrea Tinazzo and Sevil Gasanova. Sustainability 15, 2023, 11697. DOI: 10.3390/su151511697. Open access, CC BY 4.0.
- Hidden Graffiti Identification on Marble Surfaces Through Photogrammetry and Remote Sensing Techniques. Dante Abate and Mia Gaia Trentin. ISPRS Archives XLII-2/W15, 2019. DOI: 10.5194/isprs-archives-XLII-2-W15-1-2019. Open access, CC BY 4.0.
- Medieval and Early Modern Graffiti in Eastern Mediterranean: A New Methodological Approach. Mia Gaia Trentin. In Graffiti Scratched, Scrawled, Sprayed: Towards a Cross-Cultural Understanding, ed. Škrabal et al., De Gruyter, 2023, pp. 383-422. DOI: 10.1515/9783111326306-013.
After the session
Session highlights
The main ideas, techniques and terms from the talk, with links for going further, will be published here after the session on Tuesday 15 December 2026.
Mia Gaia Trentin
Project Manager and Researcher, Citizens in Power, Cyprus. Principal Investigator, BARSKY ROUTES.
Contact and links
Email: trentinmiagaia [at] gmail.com
ORCID: 0000-0002-6650-3132
LinkedIn
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